June 27, 2013

A NEST OF VIPERS

         As you undoubtedly know by now, I’m a pet fanatic, and the pets I prefer are less than usual ones.
Over the past seven years, I have collected a number of large spiders and venomous snakes.  My favorites are the vipers.  Deadly, but beautiful.  I also have several cobras and mambas.
I think part of the reason I’m such an animal nut is that I have very few friends, for some reason.  I’m a nice person, and reasonably funny and entertaining.  Supportive.  Generous.  I just don’t get it.
Anyhow, my family, most of whom I haven’t seen for the last decade, decided to pay me a visit.  They were passing through on their way to Europe, so they were going to stop overnight at my house in order to save the price of a hotel, then catch their plane the next afternoon.  I planned a cookout.
The morning before they arrived, I double-checked all the padlocks on the snake cages, and then locked the door to my reptile room.  A couple of my aunts were petrified of snakes, so I opted to forgo the coronary occlusions, and keep the folks in the dark about my hobby.
The aged relatives arrived at noon on the dot.  Unfortunately, my 12-year-old cousin, Larry, arrived with them.  Ever see Felix the Cat?  If anyone was the living embodiment of Poindexter, it was Larry . . . or “Lawrence,” as his mother called him.
I hated “Lawrence.”  He was terror in Tommy Hilfiger.  Lucifer in Levis.  Armageddon in Amalfis.   In short, not a fun guy.
“Hi, Larry,” I said, brightly.
“Yeah, whatever,” was his witty reply.
I had already started the charcoal so it would be ready to cook on when the family arrived.  We all adjourned to the patio, and the festivities began.  Between cooking and catching up, I was far too busy to keep track of “Lawrence.”
Big mistake.
The next thing I knew, a very pale 12-year-old was tugging at my sleeve.  He had, for unknown reasons, reverted back to the age of two, and was babbling incoherently.  I took him into the kitchen and tried to find out what had upset him so.  After ten minutes of talking soothingly (plus the shot of whiskey I forced him to drink to calm him down), I got the story.
The little juvenile delinquent-in-training had picked the lock to the snake room.
Not only that, but he had figured out the combination padlock on a cage and had let my Gabon Viper loose. 
He had no idea where it was.
Gabon Vipers are the most beautiful snakes in the world.  Mine was an incredible specimen.  Five feet long, stocky, gorgeous.
Also deadly poisonous.
As the hamburgers burned, I mounted a search, dragging “Lawrence” by the ear to help me and mentally counting the number of vials of antivenin I had in the refrigerator.
Snakes naturally gravitate to dark, warm places, so those are the first places to look.  But when the snake you’re looking for is poisonous, and possibly rather stroppy, you don’t just go lifting up the bedspread and sticking your face or hands under the bed.  Not even with a flashlight.
The whole thing was quite an annoyance, I must say.
What we ended up doing was working as a team.  “Lawrence” lifted up the bedspreads with a long pole and I shone a flashlight beneath, armed with a snake hook and a pair of tongs.
After looking under a couple of beds, “Lawrence” had to go to the bathroom . . . probably to clean out his underwear.  I waited, expecting his return forthwith, but after five minutes, instead of his footsteps down the hall, I heard screams from down the stairs.
“Lawrence,” helpful little bastard that he is, had told all of the semi-fossilized aunts and uncles on the patio about our little scavenger hunt!
The screaming ended with a slamming door.  Silence reigned.
I expect they found they could catch an earlier flight, so left to take advantage of it.
When the echoes died away, my Gabon Viper poked his pointed head around the doorjamb, as if he were looking for me.  I picked him up with the snake hook and put him back in his cage.  I think he may have smiled at me.  He drifted off to sleep, dreaming, I suppose, of growing large enough to substantially decrease the surplus population of the pre-teen males of the world.
If there’s anything more frightening than a deadly snake, it’s a 12-year-old boy.

 

 


 

 

June 14, 2013

CHAIN SAWS AND YOUR GRANDCHILDREN, RAISING GIRAFFES AT HOME, AND ALBANIAN LITERATURE

Glendale Community College just sent me their yearly schedule for Adult Education night courses, despite my best efforts to stop them. For those of you unfamiliar with this, it’s a course offering that no one on the outside of a lunatic asylum would be remotely interested in exploring. However, the fees are reasonable, so Adult Education remains a popular way of allowing folks my age and older to go out and make fools or hospital patients of themselves by dabbling in such things as knife throwing, juggling, and unicycle racing . . . affordably.

I’d like to share with you this year's course offering . . . maybe you’ll want to sign up. Maybe you'll want to sign up your neighbor with the drum set and take out a large insurance policy on him . . .

ARTS/CRAFTS/HOBBIES
Knitting Your Way to Regularity
Human Skin Collages
Watercolors—Your Key to Desert Survival
Building Your Own Home from Recycled Ivory Snow Containers and      Construction Paper
Ignoring Your Spouse with Paper Mache 

FITNESS
Rappelling for City Dwellers
Push-up Bras and Your Health
Aerobics and the Bible
Volcano Rollerblading
Wheelchair Karate
Weight Training with Used Cars
Your Hernia and You

NEW AGE (yes, it’s still with us!)/PARANORMAL
Edible Trees
Organic Dancing
Shamanic Drumming to Annoy Your Neighbors
Healing with Mulch
Exploring Haunted Cesspools
Beadwork and the Zen of Bleeding
Recycling Finger Cymbals and Fringe
Your Inner Child:  An Excuse for Everything 

SURVIVALIST
New York City Parades
An Evening with Mahmoud Ahmadinejad
Marriage to Tom Cruise
A Chris Farley Movie Marathon
Shopping at Toys R Us the Day After Thanksgiving 

HEALTH
Russian Literature and Depression
Running in Place in Sixteen Easy Steps
Advanced Running in Place
Assault Weapons – Your Shortcut to Mental Health
Handy Household Uses for Phlegm 

PETS
Dog House Construction with Back Issues of The National Enquirer
Teaching Your Parrot to Shut the Fuck Up
Housebreaking Your Rattlesnake
Cute Tarantula Tricks
Feral Cat Herding in Las Vegas (field trip included)
SCRABBLE for Ferrets 

COOKING
Nuclear Microwaving
Creating a Clam Bake in Your Hot Tub
Canning and Preserving Tropical Fish
Pork Sushi
Chicken Tartare
Flamethrowers and Quick Searing

 

 

 

 

June 7, 2013

FUNERALS, CHOREOGRAPHY, AND A GOOD, STIFF DRINK

      Before I begin, I should tell you that I’m from New England originally—home of decorum, keeping yourself to yourself, and not posting details about every bowel movement on Facebook.

     I also grew up in the funeral biz.  My dad owned a funeral home and was a funeral director as well as an embalmer—so I understood it pretty well, plus I’ve attended a few funerals in my time.
     Arizona, I discovered, is an entirely different world when it comes to what I had previously regarded as a solemn, and yes, respectful occasion.
     I attended the funeral of the wife of a co-worker friend down here.  It was, and I’m not making this up, 121 degrees that day, but I dutifully dressed appropriately for the occasion, and Stij put on a tie.
     By the time we arrived at the funeral home, we both looked as if we came by way of the Bering Strait—without a boat.  The AC in the truck hadn’t done diddly.  But, at any rate, we were there, intent upon doing the right thing.
     The bereaved husband (and he was bereaved—I happen to know that he loved his wife very much) was greeting mourners at the door.  He was dressed in a tee shirt and blue jeans, with a “Kiss me, I’m Italian” huge silver belt buckle attached to a macramé belt.
     Well, his tee shirt was black . . . but still. . . I’d never seen anything like it.
     Okay, we were greeted and ushered inside, and things moved along fairly normally—until the floor show.
     I shit you not.  A floor show.  This was the first time I ever had to pay a cover charge to attend a funeral.
     First, there was a clergyman whose unidentifiable accent was so profound that he could have been delivering a eulogy, could have been reading the first chapter of Stephen King’s The Tommyknockers.  Or perhaps he was regaling us with Led Zeppelin lyrics. Who could tell?
     After that, we were treated to a slide show of the deceased’s life, from conception up until yesterday—with musical accompaniment.  You guessed it—“Yesterday.”
     Finally, just as I was looking for a convenient rafter to throw a rope over, there bounced onto the stage, in front of the coffin, five pre-teens, one of whom was the deceased’s grandchild.  They burst into a medley of AC/DC’s “Dirty Deeds Done Dirt Cheap,” Bob Dylan’s “Subterranean Homesick Blues,” and Elmo and Patsy’s “Grandma Got Run Over by a Reindeer.”  Though the selection was bizarre, at least the last one had “grandma” in the title. However, it was the middle of July and grandma had been mowed down, not by a ruminant, but a heart attack.   We also had to live through their choreography, which would have driven Nigel Lithgoe to open an artery.
     After the utter, paralyzing horror wore off (we were not the only New Englanders in attendance, apparently), there was subdued, confused applause. 
     The bereaved husband/grandfather was not satisfied with this.
     “Come on!  That was great!  These girls worked really hard on this! Get on your feet and give them some real applause!” he shouted into the microphone.
     We did as he demanded, feeling really weird about a standing O at a funeral home.
     Next up—the stand-up comic nephew.  He was so skilled, he made Pauly Shore look like Rodney Dangerfield.  I didn’t think that was even possible.  It was a funereal miracle, and I was there. Hallelujah.
     There was even an idiot walking around with a movie camera, talking to attendees.  Now I hate this kind of bullcrap at weddings, but having a lens shoved in my face at a funeral was another animal completely.
     “What do you remember best about Marie?” this moron asked me.
     “I never met the woman,” I replied.
     “Really?  Then why are you here?”
     “I’m here to perform a public service,” I said.
     Camera still rolling.  “Really?” he asked foolishly.  “What?”
     I removed a small ball peen hammer from my purse and smashed his camera beyond recognition.  I may have even jumped on it a few times. “That,” I said.
     And do you know, I got a spontaneous standing ovation, was hoisted upon shoulders, and borne from the room, followed by the rest of the attendees, all the way to the nearest bar.
     Yessir, it was one hell of a funeral.

 

 

 

 

June 1, 2013

INSURANCE, WELLS, AND FLYING BOATS


        I had to deal with an insurance claims adjuster recently.

But I’m getting ahead of myself.
It all began one fine June day when I moved into my little cottage on a lake in Connecticut.  Existence was idyllic.  I awoke and stepped out the back door for a quiet swim or took the canoe out for a paddle through the gently rising mists on the water.
This bucolic bliss was interrupted on a November morning when I jumped into the shower and . . . nothing.  Not a drop!
After a hasty call to the local plumber, I was informed that just before winter each year, the town fathers lower the lake, which, in turn, drastically lowers the water table, through some quantum mechanics principle that I will never understand.  All I knew was, I didn’t have any running water.  And I wasn’t the only one around without it.  No one had any.  Of course, the realtor had had a convenient memory lapse when it came to this vital bit of information.
The bottom line was, if I wanted water during the winter, I had to have a well dug.  I hired the well diggers, who brought in a drill while I was at work, and spent the next two days drilling, mashing my wisteria to a shadow of its former self, and maiming my marigolds.
At last, on the third day, I arrived home from work to find my horticulturally-sensitive drillers gone and a well cap about half the height of a fire hydrant in their place.
I flew to the house and turned on the first faucet I came to.  Water!  I danced!  I shouted for joy!  I called my mother!
After I calmed down, I decided I’d better put something fairly obvious over the top of the well cap, so that people wouldn’t trip over it.  I thought that my old, leaky aluminum rowboat would work, and, as it turned out, was the perfect depth to completely cover the cap and remain flush with the ground.
That night we had a violent storm.  The rain fell in walls, not in drops, and the wind was howling all night long.
The next drizzly morning, I bounced out of bed, euphoric at the prospect of a hot shower.  Everything went as expected.  Upon leaving for work, I even whistled a bar or two from “Oh, What a Beautiful Morning.”
Three notes into it, the cheery tune died on my lips.
The entire hood of my Fiat Spider convertible was smashed beyond recognition, and the rowboat was on the front lawn.
Evidently, the wind had lifted the boat off the cap and bounced it off the hood of my car, before planting it squarely in my dahlias.
So, I submitted a claim to my insurance company.  Two days later, I received a notice from them indicating that my claim had been denied.  I picked up the phone.
 “Good morning.  I have a claim I need to discuss.”
“What is the policy number?”
“One.”
“What the rest of the number?”
“Just “one.”  I go back a long way with your company.”
“I should say so!  One moment, and I’ll put you through to Mr. Watson.”
“Mr. Watson.  May I help you?”
“Yes.  This is Carson Buckingham.  I want to know why you’ve denied my insurance claim.”
“I’m sorry, m’am.  The person who originally handled your claim is no longer with us.”
“He died?  Good.”
“No, no.  He’s employed elsewhere.”
“Let’s hope it’s making license plates.”
“Yes, well, perhaps you could acquaint me with your problem.”
“The claim was for my Fiat.  The hood is smashed and I have to get it fixed.  My policy is all paid up, so I don’t understand why my claim was denied.”
“And exactly how did the accident occur?”
“It was hit by a flying rowboat.”
And, do you know, that bastard hung up on me!

 

May 24, 2013

INTERVIEW FROM HELL

Let’s set the scene:

I’m on my way to a job interview, and the closer I get, the blacker the sky becomes.  The wind velocity picks up, shrieking around my car and jostling it back and forth like a child looking for a Cracker Jack prize.  Lightning strikes, just missing my right front fender.
Then again, I could just be projecting.
It is, in fact, a beautiful day out.
But the dark cloud follows me into . . . the job interview.
To avoid lawsuits, I will simply refer to the business as “medical.”
So, in I trudge.  God, I hate job interviews—they are a nightmare come true and I always expect to see Freddy Krueger peeking out from behind a doorway, grinning and flexing his finger knives at me.
I meet the HR person.  He is short, stinks of cheap cologne, and looks exactly like Alfred E. Neuman, right down to the missing front tooth.  He has a piece of egg on his tie. He shakes my hand with two of his own, making laser-like eye contact, then says, “What a beautiful blouse that is,” followed by a blinding smile.
Oh, God.  A Dale Carnegie graduate.  This is really going to be a sleigh ride through hell.  Beware the compliment—it is almost always followed by something negative, unless, as an opening gambit, it is an attempt at warmth.
I sit down, and he pulls his chair out from behind his desk to sit next to me—can’t have a desk in the way—this is negative.
“So, Carson, tell me about yourself, Carson.”  They love to overuse your name, thinking that it makes them appear sincerely interested, when, in reality, they don’t give a crap.
I detest this sort of open-ended question.  “What do you want to know?”
“Carson, what’s your favorite color?”
 “I beg your pardon?”
“What’s your favorite color, Carson?  Let’s start with that.”
“Uh, okay.  Green.”
His face darkens around his eye contact.  “Green, Carson?”
“Yes.”  I had given my first incorrect answer, evidently.
Another blinding smile, as he remembered his training. “How interesting, Carson! All right, Carson, let’s move on.  Carson, do you have any hobbies?”
That did it.  I didn’t want to work there anymore.  “Yes, I have many hobbies, but my favorite is collecting shrunken heads and growing carnivorous plants . . . large carnivorous plants.”
“How interesting, Carson.”  That blinding smile was beginning to fray around the edges.  “So you’re a gardener and are interested in other cultures, Carson.  Carson, that’s just great.  Oh, and I meant to tell you, Carson, those shoes are really nice.” 
Compliments are given even when the negativity is internalized.
“Thank you.  I made them myself from the skin of a Harp Seal that I personally clubbed to death.  Did you know that carnivorous plants are just crazy about seal meat?”
Looking a little green himself, probably dizzy from all the spinning he was doing, he said, “So you’re interested in nature and the great outdoors, Carson!  Fine!”  Blinding, quivering smile.  “Carson, what would you say your greatest strength is, Carson?”
“I can lift 50 pounds.”
“And your greatest weakness, Carson?”
“I can’t lift 51 pounds.”
“Hmmmm.  Carson, I really like your skirt—nice color.  I think you may, perhaps, Carson, be misinterpreting some questions, here, Carson Carson Carson.  What do you think, Carson?”  Eye contact.
I returned eye contact and sat in stony silence.
He became uneasy after a moment or two of that, and finally asked the big question:
“Carson, O Carson, Carson, Carson, Carson, why do you want to work here, Carson, Carson?”
I paused for a moment, then said, “You know, that’s a really nice jacket you’re wearing…”

 

May 17, 2013

A BIRD IN THE HAND . . . LEADS TO AMPUTATED FINGERS!

           I am the proud owner of an African Grey named Renfield.  For the uninitiated, this is a type of talking parrot.  He’s extremely friendly, as long as you’re me, and will not bite, as long as you’re me; although there are occasions when even being me won’t help you.
“Where did you get that horrible scar?” I’m asked regularly.
“Which one?” I counter.
         The questioner begins to feel uncomfortable pursuing this line of inquiry; the notion of some form of either current spousal abuse or long ago child abuse rearing its ugly head.  The subject is changed with a quickness.
The truth is, I rather like my parrot war wounds.  As a result of them, I rarely get lost.  Those on the back of my right hand are a perfect road map of the greater Phoenix area.  And, should I ever find myself in Bora Bora, my left hand will be invaluable.
“Why is your parrot so vicious?  What are you doing to him?” you cry, with all the outrage of an animal rights activist who’s just been gifted with an elephant foot umbrella stand.
The God’s honest truth is . . . nothing.  These little guys are the most intelligent of the parrot world, with the brainpower of a seven year-old human child, and a temperament to match.  I’m only thankful that he can’t pick up anything too heavy, or he probably would have shot me by now.
If you think tantrums by children are bad, you haven't seen anything until you’ve experienced a birdie fit of pique.  Parrot tantrums are much less spontaneous.  There’s a lot of planning that goes into a parrot tantrum.  For instance, Renfield will watch me carefully sweep the floor.  He will watch me mop the same floor.  He will wait until I’m almost through, then he plays a game with me.
The game is called, “Let’s Throw Everything in Our Cage Out Onto the Wet Floor!”
After that bit of magic, I have a kitchen floor lined with an attractive mélange of sunflower seed husks, dried corn cob, gifts from his feathered colon, a variety of half-eaten fruits, vegetables, and nuts, and pieces of dead bodies he was saving for later.
I could be the only woman in America who regularly shovels her kitchen.
Another Renfield game is called, “Telephone.”  Again, there’s timing involved here.  He doesn’t just play it willy nilly.  He waits until I am going out and I’m late.  He watches me rush around.  He watches me get dressed five or six times.  He watches me in my futile attempt to do my hair in 5.6 seconds and my makeup in 3.  He’s biding his time.
OK.  I’m ready to go and have just left the house when . . .
“BRRRRRRINGGGG, BRRRRRINGGGGG!”
Guess who.
He’s insidious.  He knows that I’m one of those people who will drop everything to answer a ringing phone.  You never know who it might be.  Could be important.  Could be bad news.  Could be good news.  Maybe Publishers Clearing House.
Usually, a telemarketer.  But that’s fine.  It’s someone to take my frustration out on.
The minute I rush back into the house, I hear, “Ahahahahahahahahaha!”
Renfield.
He’ll do this to me seven or eight more times before he gets bored with it and goes to sleep.  And he imitates the ring of the phone so well, that I can’t tell the difference.
I’m now over an hour late for the funeral I was on my way to.  Since I’m already dressed for it, I briefly consider having a funeral of my own . . . a pet funeral.
But, no.  I really do love the little beastie, and I’ve found a new way to keep him in line.  Whenever he acts up, I just sidle on over to his cage and, with thumb and forefinger, gently test the firmness of his drumstick.
He gets the point.
Thanksgiving is never that far away, and he knows I can hold a grudge.

 

May 10, 2013

TEACHERS AND BLACK CRAYONS

           Did people ever analyze your drawings when you were a kid?  It happened to me.

        The first Nobel Prize-winning analysis came from my kindergarten teacher.  I made the grave error of drawing a dead black rose in a black vase on a black table with a black drape next to it.  The other kids were drawing their families, their pets, and their houses.

         My teacher, Miss “Sigmund Freud” Spinster, kept me after school.
“Why did you draw that flower that way?” she inquired.
“Because that’s the way a dead rose looks.”
“Why didn’t you draw a live rose?”
“Because live roses aren’t black.”
“Why didn’t you draw your family, like the other children?”
“Because my family isn’t black.”
“Well, what about your pets?”
“My dog is brown and white, not black.”
“All right, then, you could have drawn your house.  Lots of children drew their houses.”
“My house isn’t black.”
A parental conference was hastily arranged behind my tiny back.
After my parents returned from “visiting a sick friend.” (wink, wink, nudge, nudge) they sat me down, turned on the hot lights, and the interrogation began.
“You drew a black rose?”
“Yes.”
“In a black vase?”
“Yes.”
“With a black drape and table?”
“WHY?”
“Because I like silhouettes.”
I was so traumatized by this experience that I didn’t pick up art supplies again until well into the second grade.  It was at the tender age of seven that I learned about the political correctness of that time.
I had drawn a monkey . . . complete with penis.  And I couldn’t understand why my teacher wouldn’t put it up on the bulletin board, with all the rest of the drawings.
Rebellion was fomenting in my young mind after that parental conference.
“You drew a monkey?” my mother asked.
“Yes.”
“With a penis?”
 “Of course.  It was a boy monkey.  Boy monkeys have penises, don’t they?”
“Well, yes.”
“So what’s wrong with that?”
“It’s just not polite to draw them.”
“I’m sure this will be news to Michelangelo,” I snorted.  I was a precocious little thing.
The compromise arrived at was that, though penises were not shameful, they should be clothed.  I’d never seen a monkey wearing clothes, but, eager to oblige, I drew clothes on both monkey and penis.
So much for realism in art.
My teacher never trusted me again around the crayons, however, so while the other kids got to draw, I was restricted to the finger paints.  It’s hard to get much detail out of finger paints when you are seven, so the rest of the year continued in peace and harmony, though I was beginning to lose my taste for creative pursuits involving pigment.
After that year, I left off the artwork until I reached high school.  Our first assignment was to illustrate a favorite poem.  Some poets whose works were chosen included Emily Dickinson, Rod McKuen (gag!), Walt Whitman, and H.W. Longfellow.
I chose to illustrate Bob Dylan’s “Subterranean Homesick Blues.”
Following that parental conference, I was forbidden to do anything but doodle until college.
For our final exam in Sculpture 101, we were charged with creating a plasticine bust of ourselves . . . a 3-D self-portrait, if you will.  I worked on it for weeks, and finished it the day it was due, just in time.  It was the best thing I’d ever done, and it looked just like me.
On my way to class to turn it in, I tripped and dropped it on the pavement.  One whole side of the face was now mashed to the point that it looked like I had a split personality, half of which was Freddie Kruger.  Unfortunately, time didn’t permit my doing anything but picking it up and hoping that my professor would understand.
He didn’t.
He took one look at my self-portrait and backed away from me...very slowly.
Stop by and visit me sometime, won’t you?  Between 4 and 6 on Saturdays is good.
That’s the only time they let me out of my straitjacket.